The pair toured the work, which included an ornate chandelier and beguiling lyricless instrumentals, across Australia from 2021–2023. Castricum and the multi-disciplinary artist Carla Zimbler were commissioned by contemporary performance space Arts House to create a cross-disciplinary show that would “construct a percussive and visual exploration of queer spatial production in hostile urban environments,” says the organisation’s website. ‘SINK’ was originally written as a live performance. “I just wanted to write something at the speed of my heart” There’s drizzle, and she’s just ordered a burger while watching “Collingwood beat Fremantle by 100 points.” A cigarette headache is an unfortunate reminder of celebrating ‘SINK’’s release with a live performance at 3RRR the night before. ” (Castricum is a trans woman herself).Ĭastricum is speaking to NME over Zoom from her Naarm apartment with a makeup-free face and wearing a faded black Nike hoodie. In the middle of an unapologetically staunch set at Golden Plains 2022, she told the crowd with defiant rage: “This is a track for all you trans and non-binary people out there who have ever been hassled by a TERF. When DJing or performing live, Castricum often takes to the stage wearing her signature dark lipstick, black elastic headband and a leather skirt – a suit of armour heralding her war cries. And she’s a research fellow at University of Melbourne, where she explores queer and trans futures in architecture, music, the public realm and civic life. She was a rusted-on broadcaster at the cult community radio station 3RRR and kicked off her DJ career in the ‘90s, quickly garnering a reputation for her dexterous mixing at well-loved haunts, such as The Gasometer and Hugs & Kisses. Castricum says making music in 2021, flanked by lockdowns, loss and relationship breakdowns, allowed her to explore a “stream of consciousness that is about multiple truths.”Ĭastricum’s presence has rippled throughout inner-city Naarm/Melbourne for years.
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